Salt Lake Acting Company - NPSS

Live Zoom reading of Melissa Crespo and Sarah Saltwick’s EGRESS to take place March 29

[SALT LAKE CITY, UT, MARCH 22, 2021] - Salt Lake Acting Company (SLAC), Utah’s leading destination for brave, contemporary theatre, announces the third and final installment of its first-ever New Play Sounding Series Festival. The virtual festival, comprised of three new works written by, directed by, and starring BIPOC artists, launched in January with DADDY ISSUES by Kimi Handa Brown, followed by HAIRY & SHERRI by Adrienne Dawes in February.

The final play selected for SLAC’s festival is EGRESS by Melissa Crespo and Sarah Saltwick. Saltwick describes EGRESS as follows:

You are an expert on safety, but you no longer feel safe. You have just moved to a small college town to teach architecture, but you realize that your nightmares have followed you. And now, uncertainty lies around every corner. EGRESS is a provocative psychological thriller that draws us into the mind of a woman struggling to face her fears.

A multifaceted theatre artist, Melissa Crespo directed the NPSS Festival presentation of HAIRY & SHERRI, as well as SLAC’s 2019 world premiere of Charly Evon Simpson’s FORM OF A GIRL UNKNOWN. She has developed work at LAByrinth Theater Company, New Dramatists, The Lark and many other theatres across the country. Sarah Saltwick is a graduate of the Michener Center for Writers at UT Austin and was a Jerome Fellow at the Playwrights’ Center in Minneapolis. Her plays have been produced or developed by Cleveland Playhouse, the Lark, the Vortex, and many others. EGRESS is currently to have its world premiere later this year at Amphibian Stage in Fort Worth, TX.

“It's such a gift to be able to work on EGRESS at Salt Lake Acting Company. One of my favorite things about making theater is the alchemy that happens within a creative team,” stated Co-writer Saltwick. “Every reading, every rehearsal process, becomes its own unique event. I am craving creative spaces these days, I think we all are. I'm excited to see what is revealed by this process.”

Colette Robert, in her virtual SLAC debut, directs EGRESS. Robert’s credits include Charly Evon Simpson’s BEHIND THE SHEET (Ensemble Studio Theatre) and Nambi E. Kelley’s NATIVE SON (PlayMakers Repertory Company). She is also a playwright, a member of Ensemble Studio Theatre, a New George's affiliated artist, and an adjunct lecturer at New York University.

Appearing in EGRESS are SLAC alumni Austin Archer (SILENT DANCER) as Man and Latoya Cameron (FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET) as Woman. Naomi Lorrain, a Harlem-based artist who has appeared onstage at Ensemble Studio Theatre and Williamstown Theatre Festival, makes her virtual SLAC debut as You. Massachusetts-based Janice Paran serves as dramaturg, Taylor Wallace will read stage directions, and Jennie Sant is stage manager.

The NPSS Festival reading of EGRESS is free to the public and will take place Monday, March 29th at 7pm via Zoom. Attendees can register via this link.

To further SLAC’s commitment to making theatre accessible to all, open captioning will be provided through Otter. Those seeking assistance with accommodation requests can contact SLAC’s Accessibility Coordinator, Natalie Keezer at or by calling 801-363-7522.

SLAC acknowledges the Jarvis and Constance Doctorow Family Foundation for their generous support of the New Play Sounding Series.

As our record-breaking New Play Sounding Series enters its 26th year of nurturing exciting works from some of the country's most gifted voices, we're pleased to announce the February 17th reading of local playwright Shawn Fisher's new play, THE (obsolete) UNKINDNESS OF RAVENS. Shawn Fisher

After many miles and days of hiking through relentless rain, six waterlogged strangers converge on a tiny mountain shelter that they are forced to share. Deb, a wilderness-loving professor of ornithology, and her wife Marley, an urban food truck chef are journeying to save their marriage by rediscovering why these two opposites fell in love in the first place. "Brando" is about to be kicked out of college and takes his awkward fantasy-loving younger step-brother, Paul, into the mountains where they discover the meaning of strength, loyalty and brotherhood. Bee, an impulsive 16 year old, and her new 40-year-old companion Edward travel the trail together, until their relationship is challenged by Bee and the others at the camp. As they each attempt to dry out and struggle for their own small patch of relief, they soon discover that some journeys are not meant to be taken alone.

THE (obsolete) UNKINDNESS OF RAVENS marks Fisher’s fourth play to receive a NPSS reading. According to the playwright, “It’s easy to convince myself that something I have written is either fabulous or disastrous, both of which are almost always wrong. There is always something worth keeping and something that needs changing, but until we experience an audience’s response and hear their feedback, it’s a lot of guesswork.” In regard to the importance of feedback from SLAC patrons, Fisher adds, “[the audiences] truly give us a sense of how the plays are being received. This is the most vital final link between the private process of sitting alone at the keyboard and a fully produced public performance of a play. I am so grateful that SLAC and the supporters of the New Play Sounding Series give us the time, space, and support to do this.”

Clockwise from top left: Mollee Barse, AJ Black, Cat Evangelho, Anne-Marie Kate, Matt Koenig, Cameron Neeley, and Alex Smith

Appearing in THE (obsolete) UNKINDNESS OF RAVENS are Mollee Barse (Marley), AJ Black (Brando), Cat Evangelho (Debra), Anne-Marie Kate (Bee), Matt Koenig (Edward), and Alex Smith (Paul). Richie Call serves as director, Cameron S. Neeley will read stage directions, and Tanner Sase is stage manager.

Founded in 1994, Salt Lake Acting Company’s New Play Sounding Series (NPSS) is the longest-running reading series of its kind in Utah. Past works that have been workshopped in the NPSS to later receive full productions at SLAC (and elsewhere) include SILENT DANCER and HARBUR GATE by Kathleen Cahill, MERCURY by Steve Yockey, STAG’S LEAP by Sharon Olds, THE AGONY AND THE ECSTASY OF STEVE JOBS by Mike Daisey, A SLIGHT DISCOMFORT by Jeff Metcalf, and THE RECEPTIONIST by Adam Bock. Elaine Jarvik’s FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET, featured during last season’s NPSS, will receive its world premiere at SLAC March 12-22, 2020.

THE (obsolete) UNKINDNESS OF RAVENS is free and open to the public. Reservations are required and can be made via SLAC’s website or by calling 801.363.7522.

SLAC acknowledges

for their generous support of the New Play Sounding Series.